![]() ![]() ![]() Something is really going wrong in the town of Winden and that’s what we wanted to portray.įor the sound world of Dark it was vital to find the perfect ratio between reality and the abnormal world We didn’t want exaggerated science fiction, but something weird, unique and subliminal. We also integrated the first bang of the hatch in the cave and the heavy rain.įor the sound world of Dark it was vital to find the perfect ratio between reality and the abnormal world. These included the forest, the cave and the nuclear power plant you mentioned. Whereupon, two weeks and 500 pages later, I started developing ideas for sounds. The signature sounds for the show, such as for the cave, the forest, and the nuclear power plant, can you talk about your early work on those and how the sound evolved into what we hear in the finished episodes?ĪW: In October 2016, I got the script of the complete first season of Dark. ![]() We’ve all known each other for a long time and have completed many projects as a team. Later, Wolfi Müller and Laura Plock joined the Foley team as freelance editors. The Foley team consisted of Michael Stanczyk (Foley artist at ARRI) and Bernie Maurer (Foley recordist at ARRI). Dialogue editing was handled by Thomas Kalbér (sound editor at ARRI). Ansgar and I got along quickly and we were very excited about Dark! Then the team on the project was formed - Achim Hofmann (sound editor at ARRI), Jörg Elsner (sound editor, freelancer) and myself as the core. He mixed the blockbuster Who am I for them. They already had a re-recording mixer they trusted, that is Ansgar Frerich. I had a meet and greet with showrunners Baran bo Odar und Jantje Friese, who I hadn’t met at that point. In February 2016, I was asked to join the team as supervising sound editor. This was a huge benefit for Wiedemann & Berg and postproduction supervisor Sven Nuri as postproduction schedules could be easily optimised to be the most efficient. ARRI Media offers a full range of postproduction services - editing, grading, VFX, sound design, mixing, and all the broadcast deliverables. We are big fans of A Sound Effect your interviews are informative and interesting!Įarly 2016, ARRI Media was contacted by Wiedemann & Berg Television, asking for a complete picture and sound package. How did you get involved with Dark? Who was on your team at ARRI Sound for this show?Īlexander Würtz (AW): First of all, thank you very much for this interview. Aircraft – Jet/Propeller Plane Sound Effects. ![]()
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